The Ark Episode 2 Review

The Ark

I finally got around to watching the second episode of The Ark and I’m sorry to say many of the problems from the first episode remain.

There was one character I actually liked so at least that’s an improvement. If you want to read my review of the first episode, please do so because I’m not going to repeat my thoughts even though many of the issues are the same.

Bad Science in The Ark

The thing that annoyed me most about this episode revolved around absolutely wretched science. I think when you’re writing a science fiction television series it’s fairly important to have some passing knowledge of what you speak.

Don’t get me wrong. I’m not asking for technical scientific explanations about every mechanism of the ship. I don’t need to know how cryogenics works. I’m more than willing to suspend my disbelief when the situation warrants it.

In this case the most egregious science came during the water crisis. More about that later.

Basically, they are running out of water and the hydraulic engineer needs to fix the water reclaimers. Again, I don’t need to know too much about the process of doing so although a little technical discussion rather than just yelling, “fix it”, might be nice.

The engineer decides, without telling any other officer, to take all the coolant system water and reclaim it. The engines then stop working, no duh. Oh no, says the captain, we’ll just stop without those engines working, we’re dead in the water.

First off, engines don’t just stop working. Perhaps an alarm about rising heat and then an automated shutdown or, if not, the engines simply overheating and seizing.

The opening scene of the episode sees an explosion sending a crewmember drifting off into space. A second person launched himself and grabs the drifting person, then both of them change direction, for no apparent reason, and fall back to the surface of the ship. I use the word fall loosely.

The problem here is that in space, once you have momentum, there’s no friction to slow you down. Shutting off the engines is actually a problem but not because the ship stops but because in the fourth year of a five-year journey you’ve turned the ship around and are firing the engines to slow down. Thus, avoiding zooming past your target at an unsustainable speed.

This is not complex science. It’s not difficult to get right. Getting it right fixes these scenes and is done easily. Have the crewman who saves the other simply fire his pack jets a second time. Explain the momentum problem of the ship with a few lines of dialog.

Crisis from Nowhere

Again, crisis just appears. The first crisis is the opening scene during a space walk when debris from the broken part of The Ark threatens the crew examining the damage. Why not have some discussion about doing a space walk first? Let us get to know the crew member who is going to die before you kill him?

The second crisis is the water pipe burst. Again, it’s not hard to set all this up. When they are building the irrigation system maybe spend a few lines explaining why you don’t have shut-off valves on all the pipes. Take a few seconds showing the murderer throwing the weapon into the piping system. This is foreshadowing and lets the audience in on what is about to happen. It builds tension.

I won’t even talk about how the genius farmer boy doesn’t know about a shut-off valve. Well, I guess I just did.

Talking in front of the Crew

The annoyance I felt every time the officers aired all their grievance with one another in front of the entire crew is indescribable. They stand there discussing how to deal with the rioters in front of the tied-up rioters. It’s absurdly stupid.

Stereotypes

The Stereotype problem remains. The psychiatrist girl is painful to watch. Attractive women should mount a boycott.

Infighting

The entire crew is in a dangerous situation but rather than try and help out, they snipe at each other over ridiculous things. I can understand overworked and stressed out crew members snapping but there is no build up, it’s just someone arguing something really stupid for no reason. Then the good crew member manages to convince them to behave a second later. There’s no drama in it, just two people pretending to have a dramatic conversation.

I might add, everyone looks pretty darned refreshed for not having slept or showered in two days. Great hair!

Security

Hooray! Something I liked. The security guy investigating the murder. I actually liked his firm attitude and professionalism. In addition, his sidekick might be that dark-haired, crazy-in-her-eyes type that I find irresistible. Give her some lines.

Conclusion

Please get better, The Ark. Please, I want to like you. I love science fiction shows. The wounds here are all self-inflicted. The concept of the show is intriguing.

Tom Liberman

Perry Mason is an Excellent Show

Perry Mason

I just finished the first season of Perry Mason on HBO and largely loved it. I think it’s pretty easy to get into a rut writing negative reviews. Such articles definitely get more interest than the ones that wax poetic about a show.

Therefore, it is with great joy I write this review about the modern interpretation of the old classic, Perry Mason. The Perry Mason novels and television shows date way back to his debut in the 1933 pulp fiction novel by Erle Stanley Gardner.

After a famous radio series, a successful television series run, and lots of movies we now arrive at an HBO series. Let’s get into it!

What is Perry Mason?

The first season of the show covers a period of time before Perry Mason became a lawyer and his transition into that role. He is a private investigator working for E. B. Jonathon played by John Lithgow with his usual brilliance.

Jonathon takes up the case of a murdered baby and uses Perry Mason, played energetically by Matthew Rhys, as the lead detective to determine what actually happened.

Why is it Good?

Determining why a show is good or bad is generally pretty easy but explaining why it is so can be more challenging. I’ve written before about what makes a show good or bad and Perry Mason hits all the good marks.

The Acting

The acting is generally superb with Lithgow, Chris Chalk as Paul Drake, Shea Wigham as Pete Strickland, and Tatiana Maslany as Sister Alice standing out. Not to say Rhys as Mason, Juliet Rylance as the iconic Della Street, and Andrew Howard as a disturbed and violent police officer are not exceptionally good as well. Everyone from the main players to the bit parts sells their role. I’m not going to mention all the excellent performances but if you look up the cast, you’ll not see a single actor who failed to convince me.

The Writing

The writing is equally good and allows the actors to really set their teeth into all of the roles. The district attorney, the judge, the accused criminal, all fantastic roles and all played superbly. There were a few moments where I thought Perry Mason himself was portrayed as a bit too hot-headed and irrational but I understand that was done to set up the ending when he transforms into the cool-headed and rational Perry Mason we all know from previous media.

The Sets

Incredible. From matchbooks to motor vehicles to radio microphones. I’m astonished at the craftsmanship of the set designers. The attention to detail. The clothes. Everything looks real to me. Maybe someone with a better eye than mine can find a few anachronistic things but I noticed nothing.

The Music

As is always the case, less is more with music. We don’t need the music to tell us a scene is dramatic, sad, happy, or anything else. We should know that from the scene itself. The music is there not to explain but to enhance. If I ever find the music overbearing then I know there’s a problem. Didn’t happen in Perry Mason.

The Love Stories

There are several love stories in Perry Mason but they don’t interfere with the main plot, they enhance it, they are not the focus. Often times the love interest can take over. In this case Perry’s affair with the airfield owner is gritty and real. It gives us insight into Perry himself. The affair of between Emily Dodson and George while integral to the story takes place off screen. Della and her girlfriend are there but not in your face and over-the-top Woke.

The Story

The story unfolds with each episode at a leisurely but satisfying pace. We learn more and more. Each individual episode tells its own story, introduces ideas, characters, themes. There is no rush to tell us things, nor are important facts hidden from us in order to create a twist ending. We learn, with Perry Mason, the horrible truth although in the end he cannot prove it.

The Ending

The ending isn’t completely satisfying. It doesn’t try to wrap up all the loose ends. One feels for poor, abused Sister Alice and for her replacement Emily; but it’s not all joy and happiness. The ending isn’t the end but it’s enough to leave me quite satisfied and yearning for more.

A nod to the first novel at the end was a nice touch.

Conclusion

Good crime drama done right. I eagerly await season 2.

Tom Liberman

Pot Calls Kettle Black the Spy Balloon

Spy Balloon

China is spying on the United States with a Spy Balloon. Stunned. Shocked. Outraged. How could this happen! We must condemn China for this horrible offense against our country. I mean, it is horrible to spy on another country, right?

The United States Congress, in their near infinite wisdom, voted 419 – 0 to condemn China for spying on the United States with a spy balloon. Perhaps many spy balloons. Who can say? Unanimous! That’ll teach those Chinese not to spy on us. We hold the moral high ground here!

Stupidity Reigns

Don’t get me wrong, fill up my comments with outrage. I’ve got no problem trying to counter the Chinese spy balloon. Shoot it down. Track it. Understand how the Chinese are spying on us and prevent it in any way we can. What bothers me is this moronic condemnation from our brilliant leaders.

Everyone reading this is well aware the United States uses many methods to spy on China, Russia, Iran, North Korea, and, as Edward Snowden will tell you, illegally on our own citizens and most of our allies as well.

The fact this resolution unanimously passed through the House of Representatives is illustrative of how useless our government is becoming. This is the sort of legislation both parties manage to work on together. Useless legislation.

Condemn Ourselves

When we condemn another nation for spying, we condemn ourselves. Spying happens. Very intelligent people work diligently to keep our country safe from threats around the world. I applaud them. They are doing good work. Other countries have exactly the same dedicated people doing it for them. This is the nature of the world. I realize it, you realize it, anyone with half a brain realizes it. This, of course, leaves out the members of the House of Representatives.

Not one member voted against this ludicrous condemnation. Not a single person had enough guts to stand up and say, this is dumb. This is useless. This is a dog and pony show designed for the sole purpose of giving the voters of this country the illusion we are actually doing something.

The Voters Responsibility

We vote for the people who represent us. If they spend their time passing useless and hypocritical resolutions because they think we will approve, it’s our fault. We voted for them. This vote clearly demonstrates the members of the House of Representative think we’re morons, maybe they’re right.

Conclusion

If I were in charge, I’d make a simple statement. China spies on us. We spy on China. If you don’t realize this simple fact and piss your knickers because a spy balloon flew over the country then you’re not living in reality. By condemning China, we condemn ourselves.

Tom Liberman

A Poor Start for The Ark

The Ark

I’m a big fan of science fiction and fantasy and The Ark looked like it might be right up my alley. I’m sad to say the first episode was lackluster in a number of ways. What went wrong? Is it salvageable? These are good questions and I’ll take a look.

I will say that a first episode can be difficult. The actors and writers don’t always have a full understanding of the characters. The structure of the story can change as things move deeper into a show. Watch the first episode of a show you love and then compare it to what it became. Starting off slowly isn’t uncommon and I’m happy to give The Ark some time.

That being said, it wasn’t good. Let’s get on with the review.

What is The Ark?

The Ark details an interplanetary mission to colonize a new world. The best and brightest of Earth are on The Ark to find a new home for humanity. The crew is in hibernation while the ship makes its five-year journey to this new world.

The Opening Scene

The opening scene is designed specifically to set the tone for the show. There is some sort of disaster and the ship experiences catastrophic failures. The hibernation pods are turned on so the crew can deal with the problem. Unfortunately, the entire command crew of The Ark dies when their wing of the ship is destroyed.

This creates the underlying plot structure specifically mentioned by the show producer, Dean Devlin. The idea is to see how ordinary people work together once the people picked to be in charge are no longer around.

It’s an interesting idea and well-worth exploration.

The Stereotypes are Everywhere

The show stereotypes almost every single character and it’s more than a little annoying. The nerdy guy and girl are the geniuses who save the ship. The female lead is the headstrong, take-charge type. The hunky guy is full of himself. The pretty girl is a narcissist.

Some people are complaining the show is Woke, I guess because of the female lead, but in reality, it’s the opposite of Woke. The characters are all stereotypical and dull. They are excellent examples of anti-wokeness. Judge a book by its cover. Nerdy people stammer and are awkward. Pretty people are vain.

The Science is Bad

I’m certainly not a stickler for hard science in a show of this nature. What tends to bother me are scenes where doing the science right is simple and yet overlooked. What is with all the number keypads on the doors? Why is the drama wrapped up in the door not opening? Why does the combination work the third time when it didn’t the first two?

How are they going to grow crops in one inch of soil spread out on the floor? You need beds. Consult a gardener. How difficult is it to figure this out? Not to mention stomping all the soil it until it’s hard as rock.

How come the crew of this enormous spaceship is four-hundred people? There is a huge amount of space and almost no one living there. It makes no sense. What are all the open spaces? If the crew was supposed to sleep in hibernation until arrival, the ship is just an incredible waste.

Why do they need water recyclers? Again, the crew was supposed to sleep until a few weeks before arrival. They have food and water for that time-frame. No need for recyclers. There were a few other things I noticed but I’m rambling now.

Conflict with no Build Up

This was probably my biggest problem with the entire first episode. Each major obstacle occurred without any buildup whatsoever. The ship malfunction that awakened the crew is the opening scene.

Next is the water and food crisis. Why not have a few scenes where people are examining the situation, talking about the amount of food and water available. The number of crew members remaining. Discussing putting people back in stasis. There’s no setup, it’s just instantly a problem.

The nerdy guy, mentioned earlier, suddenly has a solution. Why not show him going to the cargo bay and making sure his special items are indeed stored? Have him discuss the possibility of growing food with someone. Build up to the crisis and then cover the possible solutions. The show just throws it all at us instantly.

The oxygen crisis came out of absolutely nowhere. Why not show parts of the damaged ship, show valves leaking oxygen? Show indicators as the problem slowly rises. Build some tension. Maybe one person notices it but is told not to worry.

Why not have the crew member charged with putting oxygen in helmets stop for the day at the important hallway? She’s exhausted and thinks about going on but then leaves it for tomorrow. This is foreshadowing. This is writing a plot, a structure. Building tension. When the conflict arrives out of nowhere with no warning, it’s just not as impactful as seeing it slowly coming.

Solutions with no Explanation

The oxygen problem is solved instantly because the nerdy girl, mentioned before, happened to do her dissertation on the guy who wrote the software. Why not spend some time with her beforehand where she discusses her life, her experiences. Perhaps even in a way that’s not incredibly annoying because the writers felt the need to stereotype her so badly. Then when she knows this stuff, we understand how.

Her solution isn’t really a solution at all. It’s just her pushing some buttons and everything being solved despite the leak still existing.

Conclusion

I’ve been rambling here for a while so I’ll wrap up. I did have other problems with the first episode of The Ark but I’ll leave them for now.

Stereotyped characters. No rising tension. No thought-out solutions. Rushed. That’s the word I’d use. Very rushed. Slow it all down. Let the stories unfold, build the drama. The first ten minutes of the show, the disaster, finding the command crew dead, survivors finding out what happened and adjusting to the new paradigm. That’s interesting. That’s a good first episode. Make that the first sixty minutes and you’ve got something. As it is, I’m not hopeful. Too much, too fast. Not interesting.

Tom Liberman