Amplifying the Bad on Holey Moley

Holey Moley

Producers of the miniature golf show Holey Moley decided that amplifying the bad segments from season one for the second year was a good idea. Sigh. I actually semi-enjoyed the first season which pairs miniature golf with obstacles. I hoped they would fix the issues and remove the problems for the second season. Wrong again, Tom. Wrong again.

I recently ranted about how Lego Masters was nearly unwatchable because of the format; at least it was the first season and, hopefully, they will make changes for next year. Holey Moley had that very opportunity and decided amplifying the bad segments of the show was the best way forward. If you enjoy my rant blogs then gear up. If not, well, move along, nothing to see here.

The show pits twelve, eight for season two, golfers against each other in head to head competitions on holes which run a wide gamut of challenges. This is a problem. One hole consisted of a straightforward four-foot putt. Whomever took more strokes to finish was dumped from the platform into a pond. Another hole had competitors making long putts through a windmill which they then navigated themselves, risking being pushed into the pond. In other words, the challenges were completely different.

This leads to three problems. Sometimes a competitor in the first round ended up playing the same hole in her or his second or third round while their competitor had never played the hole before. This is obviously unfair. The second problem is some of the holes were so complex it took the players long minutes to navigate them. This meant not all the first-round matches could be shown completely. Finally, some of the holes were so difficult they required more physical ability than golfing skill giving an advantage to coordinated and fit competitors.

The same problem of too much time spent on skits and jokes seen on Lego Masters was present in Holey Moley, although not nearly as bad. Overly long introductions, explanations, and long periods spent where the hosts set up complicated and, largely, unfunny jokes took away from gameplay. So much so that some of the competitions were not shown at all.

What did they do for season two? The made the complicated and difficult holes longer and more physical so that is now almost an American Gladiator like contest. They spend even more time on promotion, skits, and nonsense. The essentially decided amplifying the bad was what people wanted. They might be right.

Maybe people want more hype, more dunking in water, more smashing into things, more stupid jokes, and less miniature golf. I am not one of those. It’s what I despise about most movie sequels. They spend time amplifying the bad things in the first movie, or even amplifying the good features until they are badly overused and boring.

I couldn’t even make it to the end of the first episode of season two of Holey Moley. Oh well.

Tom Liberman

Video Killed the Radio Star or Did it?

Video Killed the Radio Star

I was there the day video killed the radio star; watching in my neighbor’s room at Upham Dormitory at the University of Idaho. It was a glorious time to be alive when video killed the radio star. Momentous events that changed the world were going on all around me. Well, no, it’s all a bunch of hyperbolic nonsense, wistful memories, and wish fulfillment. Video didn’t kill the radio star and you’re not a special flower.

I’m reminded of the song Video Killed the Radio Star in relation to events going on in the world. People want to assign momentous meaning to anything and everything. This is the end! This is the beginning! Everything is different this time! It’s not. People are people and the answer to the question; did video kill the radio star is no, it didn’t.

If the radio star dies, it will be because people lose interest in the medium of radio. They listen to music on a music platform like Spotify or via internet. The musician lives on. Change is constant, nothing is the same as it was yesterday, at least if you view the world from anything other than a subatomic level, which we all do.

If the world changes it isn’t because of some external element, it’s because a whole bunch of individuals changed the way they go about their business. If the people of a country want a dictator who issues edicts with no checks and balances, no check and no balance will stop it from happening. If they believe in individual liberty with limited government control; by golly, we will have it.

The fight isn’t against a new technology but lazy minds that prefer comfort and safety over freedom. It’s just like Jonathon E told Ella in Rollerball: I’ve been thinking, Ella. Thinking a lot — and watching. It’s like people had a choice a long time ago between having all them nice things or freedom. Of course, they chose comfort.

The sky might well be falling but video didn’t kill the radio star, you did.

Tom Liberman

The Hays Code and its Effect on Strong Women in Hollywood

Strong Women in Hollywood

Way back in 1934 Hollywood Instituted the Hays Code which had a deleterious effect on the portrayal of Strong Women in Hollywood that seems to have lasted almost to present times. A while back, I wrote about the demise of the Hays Code but I didn’t examine its long-lasting negative impact on strong women at that time. My thoughts on the Hays Code and its correlation with the lack of strong women in Hollywood came to my attention last night when I was watched a Pre-Code movie called The Silver Cord.

In the Silver Cord a woman scientist, portrayed magnificently by Irene Dunn, is married to a young architect. He is offered a job at a prestigious New York architectural firm. She is, from the first moments of the film, a strong woman. She is a biologist working in a lab and clearly skilled and intelligent. When she makes it clear she will accompany her husband to New York and take a position at a laboratory that offered her a position some time ago, her boss laments her leaving but tells her she is the sort of woman who must have both a career and a marriage, that it is not a choice of one or the other.

I don’t want to get too wrapped up in the plot of the movie and how Christine, Dunn’s character, proves time and time again to be not only a strong woman but also a woman. She likes being married and very much cherishes the idea of motherhood. This is the sort of character long absent in Hollywood. She is not just a stereotypical male protagonist being portrayed by a female actor but she is a strong woman in every sense of the word.

Did the Hays Code destroy this sort of portrayal of women? It’s hard to argue against the idea. In 1933 a woman was being portrayed as a scientist, a wife, and a potential mother. She stands up to her husband and tells him if he cannot cut the Silver Cord of his overbearing mother, she will move on without him. That she cannot stand to see his career and life stifled, that is not the sort of man she can tolerate. Her soliloquy is bold, strong, and independent.

It was claimed the Hays Code was implemented to protect We the People from the degenerate influence of movies but one suspects it was fashioned, part and parcel, from the fear of white men that ideas, good ideas, were promulgating and influencing us. How often do we see that same mantra when it comes to censorship? We must be protected, like children, by the politicians.

If the Hays Code had not existed, how many movies portraying strong women might have been made in the ensuing eighty years? We will never know. We can only see the damage such paternalistic rules engender.

The Hays Code did far more damage than anyone can really calculate. Generations of strong women were not shown examples that might have fundamentally altered their lives. Generations of men did not learn of the sort of woman who makes a perfect and equal companion. What a terrible crime.

Tom Liberman

AMC Theaters versus Universal Films

AMC Theaters

AMC Theaters just announced they will no longer showcase Universal Film movies. Why are they doing it? Because Universal released Trolls World Tour directly to home viewers rather than offering it to theater chains first. Universal did this largely in response to the fact most theaters are closed because of the Covid-19 situation.

The stated problem for AMC Theaters and their CEO and President Adam Aron is simply the release of the movie in a way that bypasses the theaters. There is some truth in this but I suspect the bigger reason for the decision is that this particular release generated over $100 million in revenue. A number that is similar to the projected take for a widescreen release. This is a frightening confirmation of something the movie theater owners and operators have long feared, the end of their revenue stream.

More and more people watch their media at home and on their devices. This is undeniable. Hollywood revenue has remained relatively stable for the last eleven years after having nearly doubled in the same period prior to 2009.

Universal released Trolls World Tour directly to viewers and this is not particular strange. Plenty of content providers are doing the same but not for what are considered Blockbuster Movies. For companies like AMC Theaters the blockbuster has become the heart of their revenue stream. Independent movies continue to thrive but generate far less revenue than blockbusters. Meanwhile, streaming services like Netflix, HBO, and Amazon are taking a bigger and bigger bite out of their potential content.

AMC Theaters wants to stay in business. Universal Films wants to make as much money as possible and those two desires are now in conflict. Thus, the strongly worded letter from AMC Theaters. That letter, quite amusing if you read the whole thing, has this little gem within: Incidentally, this policy is not aimed solely at Universal out of pique or to be punitive in any way…. I chuckle. It is absolutely done out of pique and is punitive in nature. That boldfaced fib alone is enough to make me take Universal Film’s side in this issue.

AMC Theaters has legitimate concerns and they are desperately attempting to slow the movement of media consumption away from theaters and onto devices. Perhaps they will succeed. Maybe Universal, and other content providers, will ignore the fact they made as much from a non-theatrical release as they would have from putting the blockbuster in theaters.

Of course, if AMC Theaters goes through with this plan, they are also eliminating a major studio from their theaters and thus a large stream of revenue.

Personally, I think the steady decline of people viewing movies at the theater will continue and AMC Theaters will eventually go the way of Blockbuster Movie Rentals. Perhaps I’m wrong. Time will tell. What do you think?

Is AMC going to succeed in their threat to pull all Univeral Films?

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Tom Liberman

Lori Loughlin is the Covid-19 Response from the United States

Lori Loughlin

Do you want to be Lori Loughlin and fight for a long time or Felicity Huffman and take your punishment up front and move on? Sometimes in life you have a choice between suffering today or delaying the pain until later in the hopes of avoiding it altogether. It’s an interesting decision from a Game Theory perspective and I like to examine it today.

In the case of Covid-19, the United States trod the Lori Loughlin path of delaying the pain in the hopes it would go away. It didn’t and now we’re paying the price. Meanwhile countries like Japan and South Korea went the Felicity Huffman rout and took the punishment early, avoiding more disastrous consequences later.

Is one choice better than the other? If you choose to avoid punishment today there is always the chance the pain will never come. Perhaps Lori Loughlin will have the charges against her dismissed or she will not face any prison time. Felicity Huffman, on the other hand, pled guilty and served a few weeks in a minimum-security prison. She has that on her record forever but she is basically living her best life now and has been for a while.

There are arguments both ways. It’s sort of like staying in place when a hurricane is forecast for your region. If you don’t leave and the disaster doesn’t come, you’ve saved a lot of time and effort. However, if it does come, you might well die, be horribly injured, lose family members, or otherwise suffer for a long period of time.

In this case, President Trump and many of his political allies decided Covid-19 wasn’t that big a risk. That it probably wouldn’t get bad and we shouldn’t risk economic pain today for the uncertain forecasts of its dire consequences tomorrow. Some of them maintain that position even today despite the dying going on all over the country.

To be honest, we still face that very same decision right now. We are currently avoiding public gatherings but people are still getting sick and dying. The question we cannot answer is how many might have died; how bad would the economic impact be if the disease spread more quickly and widely throughout the United States? How bad might it get if we give up on social distancing too early?

It’s not unreasonable to conclude that had people continued to congregate normally the eventual economic impact could have been far worse. If huge numbers of people got sick then everyone would isolate without prompting from the government, merely out of self-preservation. This would hurt the economy far worse than we are currently experiencing.

Of course, it might not have been that bad. That’s the risk you take when you decide to avoid pain today in hopes it won’t arrive, and be significantly worse, tomorrow. It’s the decision you face right now in regards to social distancing. Accept the suffering today? Put it off and hope it won’t be so bad tomorrow?

Perhaps Lori Loughlin and Felicity Huffman might give us cogent answers to these questions. As for me, I think it’s better to take the consequences today rather than suffer later, you may disagree.

Tom Liberman

Lego Masters or how to Mess up a Good Idea

Lego Masters

Lego Masters reality show! I can’t tell you how excited I was when I saw the first promotion for this show. Teams of Lego Masters building complicated designs and being judged by professionals in the field? What isn’t to like about that? Elimination competition, cool Lego builds, reality drama! Bring it on! Let’s go! Today, I want the episodes to start now! I want Season Two!

It’s a wreck. I’m willing to admit my hatred of the result is certainly a product of my expectations. I thought it was going to be amazing and it leaves me bored, disappointed, and simply angry at the bad choices they’ve made. If I thought it was going to be awful and it was, I’d shrug my shoulders and move on. After last night’s episode, I’m so triggered that I have to write a blog. So, buckle your seatbelts, prepare for rants, gird your loins, build a Lego fallout shelter; I’m going to explain all the mistakes.

Problem number one is the challenges are completely unfair to the competitors. No one has the same challenge! Seriously. Everyone is given different objectives. The premier episode got it right. They were all to build a section of an amusement park centered around an epic ride. That gives the audience immediate understanding of the challenge and we get to see creative differences immediately arise. Who has a good idea? Who has a bad idea? How does each team implement their plan? Good stuff. We got it for one week.

Week three illustrates the problem. The competitors were given an object to cut in half and they were to fancifully build the second half. The problem? Everyone had different objects. Therefore, it’s completely unfair to the teams and judges. One gets an exciting and dynamic object while another gets a static and dull object. It’s also impossible for the judges to rate the teams. The third problem with this format is that ten to fifteen minutes of the show are wasted showing us each of the different objects for the teams. If there was one object for all to finish that takes a minute, the creativity of the teams is paramount, and judging is based on an equal scale.

It’s not hard. It’s really not. Create a store at a mall. Create a floor in a skyscraper. Create a bucolic country scene for a kid to view while traveling cross country on vacation. You had it right in the first episode and abandoned it. Yarg!!

The second issue is that Will Arnett is performing skits with guest hosts and others for about half the Lego Masters show. Meanwhile we don’t get to see anyone building. In the most recent episode, the winning team had a supervillain and sidekick that were a Pharaoh and Scorpion Queen. This gave them a huge advantage over the Bathtub Guy and Plant Girl team, see above for my rant about that. In any case, we saw them laying the groundwork for their structure and after all the skits and guest host nonsense, we see the finished product! Seriously, almost zero building, zero design, zero planning. Nothing.

The Golden Brick is a disaster. The idea is the team that wins one week gets a Golden Brick they can use to stave off elimination subsequently. They hold the brick for as long as they want. This created an enormous problem last week when the Superhero/Supervillain teams combined builds to make a battle between their original builds. Well, the team that had the Golden Brick had no pressure and the team paired with them and the other teams weren’t on a level playing field. Immunity, fine. But the Golden Brick just doesn’t work this late in the game or when there is a combined team competition. It’s fine for the first couple of weeks, maybe.

I’m willing to give the judges somewhat of a pass because problem number one makes their job all but impossible. Still, I will touch on the idea of their inherent unequal treatment of contestants. Two of the contestants, Aaron and Christian, were significantly more experienced and skilled than most of the other teams. The judges seemed to rate their efforts largely on the idea that their builds should be not better than the other teams, but much better! Anything less than awesome was bad.

This was illustrated in the last episode. Their build was clearly better than poor Bathtub and Plant team, who again, were at a huge disadvantage from the start. Still, the better build should win.

I hope they get Lego Masters right next season because it could be amazing. As it is, it’s unbearably sad to watch.

Tom Liberman

United States Government now a Sopranos Associate

Sopranos Associate

With this latest, and unstoppable, economic bailout the United States now officially declares itself a Sopranos Associate. The government currently owes $22 trillion and, with the stimulus package in the works, that number is going to rise more rapidly that in any time in the history of the country. What you have to understand is that this is borrowed money on which interest is paid by taxpayers.

In the criminal world this is called Loan Sharking which was one of the main methods in which a Sopranos Associate made money, off which they pay a percentage to Tony Soprano and the rest of his criminal organization. In government, they call this debt service but it’s the same thing.

The United States borrows money from bankers and wealthy people, largely Chinese and Saudi Arabians, who purchase Treasury Bonds and then pay interest on this loan with the intent of eventually paying the principle amount back. As any good Sopranos Associate knows, you don’t ask for all the money back at once, you bleed them slowly with what is called vigorish, or vig, in the criminal world but interest in the banking world.

I wrote about how the Post Office of the United States was deliberately driven into bankruptcy in order to take out loans so taxpayer money could be used for the vig to bankers. This is essentially what has happened to the entire United States government and we the taxpayers are paying the bill for the degenerate gambling politicians who, it must be admitted, we elected in the first place.

I’ve said for many years now that there is no chance the principle amount of the loan will be paid off and the entire debt is largely a way to redistribute taxpayer money to friends of politicians. If you are unwilling to admit this reality now, well, I suppose I’ll never convince you and just stop reading.

The saddest part about all of this is that we are the ones getting run over by the $60K Lexus but it is our elected officials who borrowed all the damn money. We didn’t even get to do any gambling and that Sopranos Associate, the United States government, is having all the fun.

The end of the story? World governments go bankrupt and forgive all the debt. In the meantime, your money is going to a Loan Sharking Sopranos Associate who is buying vacation homes, renting yachts for family vacations, and generally doing all the things with your money that you should be doing yourself.

Tom Liberman

Nobody Thought they were Truman Burbank before Television

Truman Burbank

There are a number of people who think they are the subject of a Reality Show much like Truman Burbank from the Truman Show. They are delusional, certainly, but what is undeniable is that no one had such a mental delusion prior to the invention of television. Even after the invention of television it was not a heard about mental problem until after the Truman Show became part of the public conscious. What does that tell us about the human mind?

It wasn’t until H. G. Wells wrote the War of the Worlds that people began to see aliens and UFOs. No one saw a leprechaun until they read, or were told, about them first. This is reality, a concept from which the people who suffer these delusions are somewhat divorced. But then, aren’t we all? Our memories are faulty, our senses unreliable, and our confirmation bias on high alert most of the time. It’s no wonder people think they are the subject of a reality television show.

I have a friend who, despite being apparently sane, intelligent, and rational, firmly believes he is the subject of an alien experiment where he is the only “real” person on the planet and everyone else is part of the research. Is he insane? Or is his delusional normal? Is everyone delusional to some degree or another? Is he Truman Burbank?

We are, undeniably, the center of our own universe, just like Truman Burbank. When someone I know moves to a location beyond my ability to sense them, they essentially disappear. I have no idea what they are doing or how they are conducting their life until I see them again. We are, equally undeniably, not the center of the real universe. We are not the subject of alien experimentation or the star of a television show in which the rest of reality is an illusion designed to fool us.

What happens that causes people like my friend, or those with the Truman Delusion, to lose their grip on reality? If they continue to function in normal society, is it really that damaging? Do we not have functioning drug and alcohol addicts around us every day? If they can manage to keep their delusion, or addiction, from putting them in a mental hospital, what harm is there?

I’m not going to write a dissertation on these many questions. I think the problems of mental health and self-delusion are complex and not easily addressed. I’ll try to sum up my thoughts in a reasonable way.

I think we should all strive to do a better job of being critical thinkers. I am not Truman Burbank and neither are you. Don’t believe what you want because it boosts your ego, trust what evidence shows is the most probable truth. Be a critical thinker.

Take this attitude toward all things in life. What car to buy. What food to eat. For what politician to vote. What novel to read.

Tom Liberman

Is Art Defined by the Constraints of the Medium?

Art Defined by Tic Tac Toe

During board game night a discussion broke out about how is art defined? While we delivered in the Wasteland Express the software developer opined that his job was artistic but that of an engineer was not. This being true because the medium in which the engineer worked was more greatly constrained.

Needless to say, strong opinions were hurled. I find the question of how is Art Defined to be an interesting question but the moral of the story, and the point of this blog, is more about how to we come to a consensus on a question that, by its nature, has no easy answer.

At issue; at least for the fellow trying to define software development as art, is how to we determine if an endeavor is so constrained that it can no longer be considered art. When confronted by thorny issues of this nature I think the best strategy is to simplify the question as best as is possible. It’s always going to be difficult, if not impossible, to determine what constitutes a line in the sand as far as constraints and be able to get to the bottom of Art Defined.

I started, on the drive home after having been thoroughly thrashed in the Wasteland yet again because I have too much fun making deliveries and taking on raiders and forget about the Victory Conditions, but that’s my issue and I’ve completely lost the train of thought on this sentence, best start again. As I was driving home, I thought about how most people who play chess at a moderately high level consider a well-played combination to be artistic. Certainly, chess has more constraints than engineering. If a game of chess can be artistic then we must conclude that a particular engineering design can be as well.

That being said, I must simplify further. How about checkers, I said to myself while waiting at a red light. Darn those red lights. No, even better, Tic Tac Toe. If we are going to simplify, let’s go all the way. Can Tic Tac Toe be artistic? No, I said to myself. End of story! Wait, I argued with myself, don’t be so hasty, Tom. Really? I replied. Yep, I answered. Let me give you an example.

In Game One the O player makes three moves and wins the game because the X player doesn’t make a blocking move. In Game Two the O player makes moves so as to block player X and set up a situation where she or he has two paths to victory and cannot be blocked. Is not Game Two more artistic than Game One?

We’ll, I said aloud to myself as the couple in the car one over looked at me like I was crazy. Did I mention I was waving my arms and hands to illustrate the moves on the Tic Tac Toe board? Well, you may have a point, I said nodding to the superior knowledge of me.

No, problem, I replied in an attempt at modesty. You would have come to the same conclusion if given enough time. Thanks, I said, although I suspect I was being a little condescending to myself.

In any case, if we decide that one Tic Tac Toe game can be more artistic than another, we are admitting the game can be artistic, although perhaps less so than a chess game, but artistic nevertheless. If this is true, it seems impossible to conclude anything other than all human endeavors possess the possibility of being artistic, regardless of how constrained they might be. There is the potential for art in all things.

This being the case, which I think I’ve proved to myself beyond a reasonable doubt, I think all engineers can now rest easy knowing they are capable of artistic designs. Now that I’ve resolved Art Defined, let’s tackle a bigger problem. How can I possible win a game of Wasteland Express if I don’t pay any attention to the Victory Conditions … a mystery that may never be solved.

Tom Liberman

Arkham Horror Card Game Losing to Win

Losing to Win

I’ve been playing through the Arkham Horror Card Game and, along with my stalwart companion, reached the scenario called Undimensioned and Unseen. The game mechanics of that particular session contain a setup rule that gives me the opportunity to wax poetic about the concept of Losing to Win.

The premise of Losing to Win is if you do badly in a particular situation you are, to some degree, rewarded by getting a better chance to win in the future. We see this scenario most vividly in North American sport league’s drafts and I wrote extensively about my objection to them another time. The ideology is those who are not doing well need some extra help in order to succeed.

In this case, Undimensioned and Unseen is preceded by a scenario entitled Blood on the Altar. In that session you are tasked with saving various people from sacrifice to the Elder Gods. The number of victims who survive has a direct impact on the number of Brood of Yog-Sothoth that appear in the subsequent scenario.

Daisy Walker, played by Andrew, and Zoey Samaras, played by yours truly, had both skill and the luck of the dice on our side when we vanquished Blood on the Altar with only a single person sacrificed to the Elder Gods. Hooray, we thought. Then we read the setup scenario to Undimensioned and Unseen which told us the people saved in Blood on the Altar was inversely proportional to the number of Brood of Yog-Sothoth in play. We had to fight the greatest number of enemies, five, whereas teams that watched horrified as all the kidnap victims were killed only had to fight two of the enemies. Luck was not on our side this time and we were soundly crushed after killing three of the Brood.

Had we done nothing in the previous scenario, we would have easily won this scenario. Should we play again, we will undoubtedly pursue such a strategy, why wouldn’t we? That is the problem with rewarding failure and punishing success. You encourage Losing to Win.

The issue in real life is quite a bit more complex than a card game. If a person has terrible setbacks in life, do we reward her or him with food and shelter she or he would not otherwise be able to afford? Do we allow a company that utterly fails to declare bankruptcy and not pay their obligations? These are not easy questions to answer and I’m not going to attempt to do so today, but I am aware the issue is complicated and has many nuances.

Still, I think my basic premise is sound. We should reward success. We often need not punish failure as it is painful enough on its own. In this manner we avoid Losing to Win scenarios like Undimensioned and Unseen. And thus, the victims are not sacrificed, which, except for a few peckish Outer Gods, is a good thing!

Tom Liberman

Why You Throw Like a Girl is both Wrong and Right

Throw like a Girl

I was watching a Reality Television show called Southern Charm when Chelsea Meissner erupted at a male cast member who was having a meltdown. She said something along the lines of check your pants for a vagina and I’ve got a bigger penis than you. Meissner, as you might imagine, has more than a bit of There’s Something About Mary in her. In any case, it got me thinking.

Meissner did not intend to denigrate women but the phrases she used most certainly did. On the baseball diamond it was not unheard of to say, and I’m as guilty as anyone: You throw like a girl. What is meant is not that girls throw badly but the person in question is not good at throwing. The reality is it insults women and makes negative assumptions about their throwing ability.

In the same way Meissner was subtly, although I’m sure unconsciously, suggesting men are better adults than women. Her point was the male cast member was throwing a temper tantrum like a small child and that he couldn’t handle even the slightest bit of adversity without falling apart. This was absolutely true. She was accurate in her assessment but the phrase she used is clearly denigrating toward women in general. That’s the problem.

We have a culture of terminologies that make clearly false gender assumptions, particularly in this modern day and age when women, in progressive countries at least, are finally being given all the same opportunities as men and proving, over and over again, they are equally capable.

What’s to be done about it? I think it’s important to come up with new phrases that will, hopefully, slowly enter the culture. We can easily find ways to make our point without insulting one gender or the other. Instead of you throw like a girl we can simply say you don’t throw well. If we want a bit of color, I’m sure there are ways to make the phrases both appealing and gender neutral. You throw like a penguin perhaps. I’m sure someone else can do better.

It’s got to be a conscious effort. I have to stop complimenting a person’s boldness by tying it to the size of her or his testicles, non-existent though they may be. You have to do the same. It takes time, these changes, but it can be done with a concerted and honest effort. When you say something that denigrates a gender unfairly, you are setting an example. Try to be better, I am.

Tom Liberman

Human Trafficking and David Miscavige of the Church of Scientology

David Miscavige

There is a story breaking about a woman suing the Church of Scientology and its chairman, David Miscavige for, among other things, sex trafficking. I’m convinced this lawsuit was spurred by the conviction of NVIXM founder Keith Raniere over similar charges.

I wrote a blog back in April of 2018 about why charging Raniere and his associates with a crime for their sex cult activities was a bad idea and the subsequent conviction and this lawsuit further hardens my position. Basically, if anyone, for any reason, stays somewhere where perhaps they don’t really want to stay, they are going to be able to bring charges against whatever entity convinced them to stay.

I would guess your first reaction would be this is a good thing. No one should be convinced to stay somewhere they don’t want to stay. However, I don’t think there is an organization in the country where someone hasn’t been talked into or threatened in some way in order to make them stay. It is common behavior for a church to threaten anyone who is thinking about leaving with ostracization from the religious community. Anyone who decides to stay in the church to avoid such is now a victim of human trafficking in accordance to the way those ridiculous laws were written. The church is liable and the leaders, like Miscavige, are subject to imprisonment.

It’s not just churches, it’s virtually every voluntary organization in the world. People will always have doubts about continuing to be a member of such groups and if they are told about certain consequences should they choose to leave, it can easily be construed as a threat and thus subject to these poorly imagined laws that are on the books in virtually every state in the nation.

Don’t get me wrong, if someone is physically restrained, drugged into submission, blackmailed, or otherwise coerced into staying; there should be an investigation to see if the law was broken. That being said, the way human trafficking laws are currently written, being interpreted, and enforced, I doubt there is a single one of us who hasn’t been so victimized.

Is it possible a group of mean girls from the local junior high might be thrown in prison for threatening to refuse another girl entry into some social group if she refuses to join their clique? You may laugh but that’s where we are heading and it is why we must be so careful not to legislate morality.

If someone wants to be a sex slave, or work long hours for some nonsense religious organization like that of Miscavige; that’s their business. Not yours. Not mine. Not the governments.

Tom Liberman

Loot Boxes to be Outlawed by the Federal Government

Loot Boxes

Once again, an overreaching, big government loving politician is trying to intrude into the lives of citizens, this time by banning so-called loot boxes. The Senator in question happens to be Republican Josh Hawley from my beloved home state of Missouri. I have one thing to say but I can’t say it or the FCC will fine me. Poop on you, Senator Hawley and I’ll be happy to tell you why.

Loot Boxes are in game transactions where game players can purchase various things. Games like Fortnite, Candy Crush, and many others rely on these purchases for revenue. The games are otherwise free to download and play. People make the purchases for a variety of things like cosmetic skins to make their character look cool, extra items to help progress the game, and things of that nature.

Senator Hawley uses the fact that children are part of the market for such games as an excuse to foist his morality upon us. We must save the children he says; ignoring the fact that the majority of people who play the games and spend money on them are over 18. Ignoring the fact that children can’t make such purchases without a credit card on which their parents can easily place limits. No, good old big government Senator Hawley thinks he knows best how we should lead our lives and isn’t at all shy about forcing us to do it by his rules.

If Senator Hawley is successful then games like Fortnite, which have generated an enormous amount of revenue for not only the makers of the game but many ancillary companies and millions of hours of fun for willing gamers, will no longer be free to play. Double poop and a Libertarian pox upon thee!

If someone wants to pump money into a video game then it’s their right to do so. If a kid does so then it’s up to that child’s parents to control their spending. It is absolutely, positively, not the government’s job to protect us from spending money on video games.

You, Senator Hawley and all the rest like you, are not our guardians. You do not get to dictate how we lead our lives or how we spend our money. It’s this paternalistic gobbledygook that created the entire overreaching, nanny state in which we currently reside. There is a law against everything and every citizen is a criminal. The state simply gets to decide who to arrest and when.

If I don’t want to pay a microtransaction on loot boxes then I won’t do so. If I don’t want my non-existent child to do so then I’ll restrict her or his credit card. Get out of my personal life, Senator Hawley.

Tom Liberman

Why Does the Justice Department Care about the Academy Awards?

Academy Awards

The United States Justice Department just warned the Motion Picture Academy that a proposed rule change about eligibility to receive Academy Awards might result in Anti-Trust legal ramifications. Really? This is what the Justice Department of the United States of America is spending their time doing? Threatening award ceremonies about how they decide eligibility? I’ll give you a small hint, the executives of Amazon and Netflix are opposed to the changes and they just might have a dollar or two spend.

First, let’s examine what is being proposed. With the advent and enormous growth of streaming services there are more and more movies spending little or no time in the theaters. They are developed and sold directly for television. Recently the Netflix film Roma received a nomination for Best Picture and this triggered a response from the Academy and particularly influential filmmaker Steven Spielberg. They believe such films should be eligible for Emmy Awards but not Academy Awards. The idea being that the Academy Awards are for movies while the Emmy Awards are for television.

I think there are argument to be made both ways. The made for streaming movies are not in the theaters for any appreciable amount of time, mostly just so they can be eligible for movie awards. However, they are in the traditional movie format and home theaters are more and more becoming a venue for audiences to view first run movies.

We can argue back and forth about whether or not such productions are movies or television shows but it’s beyond my comprehension that the Justice Departments thinks they have a say in this matter. A major award certainly increases publicity and thus revenue for a particular show or movie but it is up to the agency that runs the ceremony to decide upon the rules for inclusion. Just because they choose to exclude a group isn’t an anti-trust violation. They are not engaged in collusion, price-fixing, bid-rigging, or even group boycotting which is, I suspect, the justification for the warning.

Group boycotting is when several companies refuse to do business with a third party unless they stop doing business with a competitor. An example would be a clothing store that refused to purchase a particular line because it was being sold to a competitor of that business.

Despite any Justice Department claims to the contrary, what it is doing is damning in the eyes of this Libertarian. The government is attempting to flex its muscles at the behest of bribes, that is to say campaign contributions and lobbyist gifts, to force an independent company to do business in a way that is favorable to a third party, in this case Amazon and Netflix.

This is a stark example of Crony Capitalism. The government decides how a company does business. It’s destroying the capitalistic spirt of our nation and I’ve written about it elsewhere.

Out, out, foul government. Back to your closet where you belong.

Tom Liberman

Candace Bure and the Misleading Headline

Candace Cameron Bure

I’m not sure misleading is the proper category for the headline that suggests Candace Cameron Bure isn’t getting older but it does present an opportunity to allow my inner Grammar Police personality out in all its annoying glory. You guessed it; it’s time to learn the difference between Literally and Figuratively. Yay!

When someone says something happened in a literal fashion what they are saying is that it actually happened. While it may sound crazy what I’m telling you, it really did happen. An example might be shy, socially inept me was sitting at the bar at my favorite watering hole, Sub Zero when a quite attractive dark-haired vixen with impressive surgical enhancement cozied up a few stools down. I literally moved over and engaged her in conversation. Hard to believe, yes, but literally true.

Now, an example of figurative. Later, after a few direct messages she figuratively blew me off. That is to say, she stopped responding to my texts. If she literally blew me off that would mean that with her breath or perhaps her hair dryer, she aimed a gust of wind at me and sent me cartwheeling off to the barrel of rejected boys. The barrel of rejected boys is, by the way, also figurative.

If Bure literally stopped aging it would certainly amount to a medical miracle and the poor young woman would be subject to a hurricane, figurative of course, of lab tests.

Now, my disciples, go out into the world and use figuratively and literally properly!

Tom Liberman

I was Much the Same Myself

Much the sameWhile watching a clip from the classic Robert Redford film Jeremiah Johnson a bit of a throwaway line caught my attention; I was much the same myself. Johnson is trying to decide on a name for the young boy he took off the hands of a crazed woman who had seen most of her family murdered. The boy is not in a talkative mood as they ride along. Johnson gives him the name Caleb as it is one Johnson has much admired. The boy does not respond. Rather than pursuing the discussion, or chastising the lad, Johnson utters the line in question.

It’s a good line. I’m of the opinion it has a lot of relevance in today’s world. It seems people have always enjoyed being critical of one another but with advances in communication and the advent of social media such has risen to new heights. Much of the criticism involves telling other people how they should think or conduct their lives. This is what I was much the same myself addresses.

Johnson recognizes that, as a child, he wasn’t particularly talkative and when Caleb exhibits a similar attitude, Johnson accepts it without criticism. It is very easy to criticize people making what we deem as similar mistakes to those we made ourselves as children. I think the actions that tend to draw the most outrage are often those things we see in ourselves. The traits we dislike about ourselves and see in others.

Most often I see it in adults, like myself, in criticizing the way younger people are going about their business. Kids today. We were kids once but that is a fact apparently lost upon most of the critical curmudgeons of the world. Even as adults we do unwise things on a fairly frequent basis, but when someone else does something stupid, we are eager to point out their foolishness.

Perhaps it is a way to pretend that we are better than the other person. I wouldn’t do something so foolish, I wouldn’t think that, I wouldn’t act that way, I’d never take a picture like that, I’d never blah blah blah blah blah. The truth is, yes, we would and yes, we probably have at one point or another.

The next time you are considering chastising someone for their behavior or opinion, think about that line. I was much the same myself. Try it out. You might be pleased with the result.

Tom Liberman

The Warriors Libertarian Movie Review

The WarriorsIn my frequent YouTube perusals, I came across a wonderful video of the actors who played the Warriors in the movie of the same name riding a subway to commemorate an anniversary of the release of the film. It’s a wonderful movie and that means it’s time for a Libertarian Movie Review.

The film is set in New York which is broken down into many territories controlled by various gangs, much like the world is broken down into many regions controlled by various gangs, that is to say, nations. The Warriors, and most of the other gangs in the city, have come to Van Cortland Park under a truce to listen to the leader of the Grammercy Riffs make a proposal.

Cyrus suggests all the warring between nations over non-existent borders drawn on a map is an enormous waste of time and effort. Oops. I wrote that incorrectly. What I meant to say is: Cyrus suggests that all the warring between gangs over non-existent borders drawn on a map is an enormous waste of time and effort. He suggests it would be a much more profitable enterprise to work together for the mutual benefit of everyone.

Cyrus is shot and killed in the midst of his speech which essentially ends the truce. The Warriors are blamed for killing Cyrus and the rest of the movie tracks them as they attempt to make it back to their home base, Coney Island. They must battle various colorfully attired gang members including the iconic Baseball Furies.

The film is certainly action based but does a superb job of character development in that we learn about the various Warriors via their actions rather than any exposition. Ajax is wild and impulsive. The sort of jerk you hate on the other team and love when he’s on yours. Swan is a thoughtful and intelligent natural leader. Rembrandt is an artist who is unskilled in combat but valuable nonetheless.

Eventually the Warriors make it home where the duplicitous gang responsible for the death of Cyrus attempts a final vengeance before the truth can be discovered, only to be defeated. The Riffs exact their vengeance and acknowledge the martial prowess of the Warriors.

The movie has many qualities that appeal to a Libertarian. Particularly pleasing is the overarching theme against nationalism. The gangs do themselves no service by the constant warring when they would be better off cooperating. The idea of removing borders and working toward goals of mutual interest regardless of national origin, gender, race, sexual orientation or other artificial difference is also a major Libertarian policy point.

The biggest negative is when Cyrus appeals to the gangs to take over the city and defeat the local establishment. This will put them in power, simply replacing the existing structure with one that will be equally problematic. A more Libertarian ideology would have Cyrus appealing to the gangs to cooperate with the police and the establishment to make everyone’s lives better.

That being said, The Warriors largely exemplifies Libertarian ideology and I give it 4.3 Freedoms. Can you dig it?

Tom Liberman

Kelly’s Heroes Libertarian Movie Review

Kelly's HeroesMy daily forays to various Internet website brought my attention to a movie I enjoyed years ago called Kelly’s Heroes. At the time I watched it I was probably of a Libertarian mindset but I had not really given much consideration to such ideas. That being the case, I thought a review of Kelly’s Heroes from a Libertarian perspective was in order. Let’s get started.

The movie covers a period of time in late World War II as the Germans are retreating from allied forces. The basic plot involves Private Kelly, portrayed by Clint Eastwood, and his attempt to recover a cache of gold hidden by the German military. He is a private because he was scapegoated for a failed assault taking place before the events of the movie. Here we see of the state punishing the individual for its own failures.

Kelly is bitter over this turn of events and his loyalty has shifted from patriotic support of the war effort to a more self-centered mindset. In this he is joined by supply sergeant Crapgame, played by the great Don Rickles, who is also not particularly interested in winning the war but rather enriching himself. This is a theme we see throughout the movie and includes the cynical captain of the unit.

Several scenes which were cut from the movie show soldiers for both the German and U.S. units spending their time with attractive women and trying their best to enjoy life amidst the horrors forced upon them by the war.

This attitude is best displayed by tank commander Oddball, played effectively by Donald Sutherland. Oddball has little interest in putting his life on the line for his country but the mention of riches quickly garners his attention and he joins Kelly and his band.

On the way, the realities of war are not ignored as several of Kelly’s cohorts are killed in an encounter with German troops.

As Kelly and the others battle their way through German lines to the gold their communications reach allied headquarters where Major General Colt, played by Carrol O’Connor, mistakes their enthusiastic quest for money to actually be fighting spirit. He applauds their efforts and wishes he had more soldiers with this kind of attitude. This directly speaks to Libertarian sensibilities as the quest for personal enrichment, be it money or other endeavors, is what drives people forward. The artificial substitution of patriotism and hatred of another people pales by comparison.

It is certainly true the Nazi threat to the world was great and real but that danger was driven by the same zealous xenophobia that led to the war in the first place. Although the allies and their soldiers were certainly on the “right” side of the war, they and the Germans were on the wrong side of motivational reality.

We see this stark reality when Kelly and the survivors of his band confront a German tank commander at the denouement of their quest. The commander, played by Karl-Otto Alberty, defends the hidden cache simply because he has been ordered to do so. He sees the U.S. soldiers as the enemy.

Kelly and his associates risk their lives to approach the commander and explain the reality of the situation to him. Once he understands what is inside the building, he quickly changes his attitude in exchange for a fair share of the loot.

Then, in what I consider the defining moment of the film, Kelly holds true to his word and allows the German tank crew to leave with their cut, despite the fact Kelly and his associates could easily cut the Germans down without repercussions. They are all people in this world and their loyalty to self-interest far surpasses their patriotism to any contrived state.

Without question, Kelly’s Heroes gets the highest Libertarian rating available. Five Freedoms with gold clusters.

Tom Liberman

Right is Right when it Comes to the Nuns and Katy Perry

Katy PerryAn ongoing story involving Katy Perry and a pair of nuns recently heated up again when one of the nuns passed away in court and the other claimed bankruptcy. I think what’s important to understand is Perry is completely in the right. Yet, there are clearly many who think she should give up her claim because the elderly nuns are a sympathetic pair. Bah humbug, says this scrooge.

I think the first step we should take is to examine the case itself. Five nuns lived at a property called Los Feliz for many years although moved away a few years back. The property is owned by the Los Angeles Archdiocese although two of the five nuns claim they were the actual owners because of their long years living there. The three other nuns are not part of the legal situation and support the Archdiocese’s right to sell.

Katy Perry expressed an interest in the property and was in negotiations to purchase it when the two nuns got wind of the sale. They watched a few of Perry’s videos and decided they didn’t approve of her. So, they contracted with a third party and quickly sold it for well under it’s value with a miniscule down payment.

The judge ruled that they had no right to sell the property and the third party was engaged in tampering and ordered Dana Hollister to pay Perry and the Archdiocese no small fee. “Clearly invalid,” was the term the judge used in regards to the sale.

It seems clear Perry is right from a legal aspect but I’m willing to go significantly further. I think she’s right from an ethical perspective. The nuns are behaving horribly and using their position to vilify Perry and break the law. They are acting in an incredibly entitled fashion. We don’t like Perry. They claim they are somehow breaking their vows by allowing the property, that they haven’t lived at for years, to be sold to someone so evil as Perry. Their behavior is despicable and filled with selfish and righteous horse manure.

The two, now one, are a playing on the sympathies of those who look at them and see a pair of elderly nuns being taken advantage of by a ruthless mogul when the opposite is closer to the truth. The nuns are acting ruthlessly and viciously exploiting their position to turn public opinion against Perry.

The surviving nun is now claiming she is bankrupt despite the fact the Archdiocese continues to pay all her living expenses and has expressed it will continue to do so until her death. She is saying terrible things about Perry.

I will not stand by. I’m calling her out! Try to be a decent human being in your last years of life you angry and bitter old woman. Yep, I’m yelling at a nun and I’m doing it because she is legally and ethically in the wrong.

Don’t give up the fight, Katy. And, if you ever happen to visit St. Louis, dinner and a drink? My treat.

Tom Liberman

Natalie Portman and the Snide Comment

natalie portmanDuring the recent Golden Globes award ceremony Natalie Portman and Ron Howard presented the award for Best Director of a feature film. Portman announced, “And here are the all-male nominees.” I think she was being unfair and incomplete.

If she had mentioned what she thought was a worthy film directed by a woman, there are certainly several choices this year, and which male directed film she would have left off I would say that at least her speech was complete if still unfair. The dig was unfair to all the nominated men because they had nothing to do with their selection. The statement certainly implies that some, if not all, of them didn’t deserve the nomination. The winner, Guillermo del Toro, might have responded during his acceptance speech but instead he took the high ground and gave an emotional speech about how much of his heart he poured into the move; The Shape of Water. He was the better person than Portman, in this case.

I certainly think there is a point to be made that some of the films this year directed by women were equally deserving of nomination, I just don’t think that Portman chose a good time for her nasty comment. It was nasty, true or not, you cannot deny her statement devaluing the award one of the directors was about to receive was anything else. You might well support Portman for making the statement and that’s fine, but it was rude, nasty, and unfair.

It was, to some small degree, exactly what she was complaining about. She essentially attacked a group of men for the single failing of being a man. It was sexism. Certainly, it was not an egregious attack. She didn’t threaten their livelihood or physically assault them. They will go on about their lives pretty much as before. I don’t think a crime has been committed. I don’t think Portman should be blacklisted from Hollywood for her actions. I don’t think she should be denied a chance to participate in the making of future movies. I just think it was nasty and rude. I think she owes the five directors an apology. I don’t expect she’ll be making one.

She is largely being lauded for her bold statement. Most of the articles I’ve read on the subject seem to think she did the right thing in calling out the fact that all five of the nominated films were directed by men. I disagree.

The statement she should have made, in my worthless opinion, is to refuse to give out the award. If she feels strongly there was a miscarriage of justice then she should simply have refused to participate in the ceremony. That I would have respected. But the reality is she wanted to be up on that stage giving the award, she wanted to have her cake and eat it too. And she is apparently getting that wish, at least from everyone except me.

Tom Liberman